by jdumars » Wed 28 May 2008, 15:23:36
$this->bbcode_second_pass_quote('Aaron', 'S')o Rembrandt can't happen without raping nature & future generations?
You seem certain about that.
?
I am.
But your question isn't really a question. It's an oblique statement of disagreement without providing any affirmative argument, which I understand, because proving that an artist or any civilizational product doesn't harm the Earth in some way is impossible, because it does.
Again the onus is put on me to somehow prove that one can live a civilized life without "raping nature," instead of you backing your question or statement with an example of the converse.
Being an artist is an extension of civilization's need for highly-specialized separations of labor and expertise, as well as reliance on the importation of distant resources. Pigments used in Rembrandt's time were obtained through a vast trade network and the forced exploitation of slave labor in colonial holdings. Many pigments are mineral-based, which requires the destruction of the land to extract them, the fouling of water systems to refine them and then significant energy inputs to process/transport them. The oil (cottonseed) requires mono-crop plantings which typically degrade/deplete the top soil, require large energy inputs to grow and process and again, further specialized labor. Underneath all of this are the systems used to support the systems which have their own webs of exploitation and destruction. But hey! Look at that great painting!
I would think of all the people in the world, those who truly understand peak oil would get the underlying truth:
- limited resources are exactly that... limited
- energy availability is what drives human activity
- civilization uses resources faster than they are regenerated
Any perceived benefit of this arrangement is only to the side of the recipient.