by rogerhb » Thu 23 Feb 2006, 20:40:11
There is a lot of symbolism in medieval art, remember this was:
1. when most people could not read - the picture had to be telling a story
2. you only had one image, not a film - the image had to be information rich
3. you wanted to express subversive ideas - remember the religious wars and persecutions
4. you wanted to show who the person really was - for instance Leanardo had different hand shapes for specific individuals
Although I am happy with the idea that Jesus existed, that does not require a virgin birth nor the idea that he died on the cross. Many of the stories in the bible and the gospels can be found in other traditions. Also with art, the halo originated from pictures of Alexander the Great. Virgin briths were two a penny stories, compare Jesus's birth with Mithras. Similarly, his death had to be made special in order to reinforce his specialness. Alas the majority of Christianity has nothing to do with Jesus but more to do with Paul. US Christianity has nothing to do with Christianity except a framework to justify some pretty ugly ideas.
My take on the life on the former carpenter is:
1. he was a maverick
2. he was a jew who was well trained in the law
3. he was more concerned with the welfare of the flock rather than the priesthood
4. he was a rabble-rouser and thorn in the side for the priest hood and through that seen as a threat to stability and hence a threat to Roman rule
5. the individual who followed these same principles (apart from number 2) was Mahatma Ghandi
He is more likely to have married than not, to not have been married would have been reported. Virgin birth, death and then rising are all irrelevant to the story or the message, they are merely punctation for effect.
"Complex problems have simple, easy to understand, wrong answers." - Henry Louis Mencken