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Art Criticism

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Art Criticism

Unread postby PenultimateManStanding » Thu 14 Feb 2008, 22:50:20

Image

Oowolf lamented my lack of "Professor of Humanities" posts lately so I thought I would offer up some of that good stuff. I regard this as a masterpiece of Picasso's so this presents some good ground to start with. The first impression of this painting is that it's jarring and unpleasant. That, of course is only natural, because it's true. Then, also of course, as one studies it, the balance of colors takes on a Newtonian logic which is actually quite pleasing. So what comes next? Themes. What is portrayed? A crying woman. Her eyes are falling out of their sockets. A weird teardrop falls from a tube out of her left eye. Sickly green teardrop shaped fingers seem to clutch a handkerchief which she is gnashing between her teeth. She has an odd bifurcated hat of complementary colors: orange and blue. Now this seems like a good painting to analyze today, Valentines Day. If you look at the central part of this picture, what you see is an incomplete heart with the weird tear tube pointing down to the bottom of the heart shape. The same heart shape is continued on the right a little bit but is then broken. These creepy green teardrop fingers creep up the right side and break the heart shape. The left side eye bowl is still cradling its eye, barely. The right side eye has tipped over and the eye is about to take a spill. This is a painting of Dora Maar, the jewish girlfriend of Picasso. What about the split weird hat of orange and blue? heh heh. I don't know. Maybe it was meant to represent the profound split between left and right. Europe sure got it's fill of that. Picasso was a lefty. I don't fault him for that, but in this painting all the sad flowing grief seems to be on the left while the more jarring stuff seems to be on the right. Picasso was a very political painter. He joined the Communist Party. But he was too subtle for those brutes.
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Re: Art Criticism

Unread postby PenultimateManStanding » Fri 15 Feb 2008, 19:00:25

Image

Now this one is also worthy of critique. This is the most successful artist of recent years. I think you all know why he is successful, so there is no need for a critique.
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Re: Art Criticism

Unread postby MD » Fri 15 Feb 2008, 19:30:41

Thanks for both. So who is the artist?
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Re: Art Criticism

Unread postby MD » Fri 15 Feb 2008, 19:33:20

$this->bbcode_second_pass_quote('PenultimateManStanding', '[')img]http://www.ezthemes.com/previews/c/cobblestonemillss.jpg[/img]

Now this one is also worthy of critique. This is the most successful artist of recent years. I think you all know why he is successful, so there is no need for a critique.


There has to be a small waterfall hidden behind the house.
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Re: Art Criticism

Unread postby PenultimateManStanding » Fri 15 Feb 2008, 20:02:15

It does appear that there's a waterfall behind the house. And it is a pleasing image, isn't it? That's where I want to be. His name is Thomas Kincaid. He's painting where a lot of people want to be.
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Re: Art Criticism

Unread postby WildRose » Fri 15 Feb 2008, 20:33:47

$this->bbcode_second_pass_quote('PenultimateManStanding', 'I')t does appear that there's a waterfall behind the house. And it is a pleasing image, isn't it? That's where I want to be. His name is Thomas Kincaid. He's painting where a lot of people want to be.


Yes, he's the "painter of light". Funny thing, I went shopping for a painting for my parents for their 50th anniversary last fall. I love looking at paintings - point me at a gallery, and it's my favorite store to be in. Anyway, I went into a store last fall looking for some Thomas Kincaid paintings, hoping to choose one of them for my parents. The proprietor told me they didn't carry him; he was too "make believe", I believe she said. The paintings she carried were quite boring to me.

I like some of the native American/Canadian painters, also a couple of the wildlife painters, who are just amazing at their craft. There is another fellow who does pictures of wilderness scenes with light; he's really good. Thomas Kincaid has been really prolific, and I like his use of color and light. I ended up getting my parents a lovely nostalgic winter landscape, and it was a hit with them.
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Re: Art Criticism

Unread postby PenultimateManStanding » Fri 15 Feb 2008, 20:56:12

My mother paid my bail after I knocked a tooth out of a schmuck who deserved it. It was 800 dollars. I paid her back by painting two copies of Kincaid paintings. She has them on her walls, framed. I must confess, I enjoyed painting them. Her guests couldn't tell the difference.
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Re: Art Criticism

Unread postby Narz » Fri 15 Feb 2008, 21:11:42

The 1st one hurts my eyes, the 2nd one pleases them.
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Re: Art Criticism

Unread postby PenultimateManStanding » Fri 15 Feb 2008, 21:19:44

$this->bbcode_second_pass_quote('Narz', 'T')he 1st one hurts my eyes, the 2nd one pleases them.
Go back to the first one. Don't be like those who won't confront the awful.

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Re: Art Criticism

Unread postby mercurygirl » Fri 15 Feb 2008, 22:53:32

PMS, have you heard of the California Impressionists? Look them up. Alfred Mitchell was an important member of the art scene in San Diego early last century.

Our family has a couple of his works as a result of having an old antique dealer uncle out there.

If you could copy these, you might make some extra cash.

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Re: Art Criticism

Unread postby Narz » Sat 16 Feb 2008, 00:11:15

$this->bbcode_second_pass_quote('PenultimateManStanding', '')$this->bbcode_second_pass_quote('Narz', 'T')he 1st one hurts my eyes, the 2nd one pleases them.
Go back to the first one. Don't be like those who won't confront the awful.

I'll confront the awful, I just don't want to look at it.

I went back. I think what I didn't like was the jagged edges pointing towards her (his?) eyes. Also, the coughing made me think of a diseased person. I think it is natural to want to avoid things that will hurt us (pointing objects in the eyes, diseased individuals - whether physical, mental or emotional).

Since I'll being a critic, I'll bring something to the table.

Image
I love the background in this one (the southern forest, the trees seem to be eavesdropping, almost like they are co-conspirators) & the spirit of discontent bubbling up into action from whence there is no retreat, the spirit of not taking it anymore.
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Re: Art Criticism

Unread postby Novus » Sat 16 Feb 2008, 03:02:51

Sometimes I think the art critics exist simply to keep the good stuff out of the art galleries. I prefer not to have the other people decide what is and what is not good art for me. The best stuff by far is drawn by nobodies and does not hang in art galleries. Here are an example:

Image
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Re: Art Criticism

Unread postby PenultimateManStanding » Sat 16 Feb 2008, 15:06:01

Narz, that painting of the night time meeting in the forest appears to be a book illustration of a scene. Where did you find it?

Novus, that sea battle painting is terrific. But it doesn't fit the template of "Art." Of course, just what the template of Art is anymore is anyone's guess. Contemporary confusion about this traces back to the Impressionists in France. They were ridiculed and they persevered anyway. Then when they became successful the legend of the crazy genius ahead of his time was born. The climax came when Jackson Pollack wrapped his car around a tree. Art is dead, Long Live Art!

Mercurygirl, I love those California Impressionists paintings. I've seen them around town. There are some in various buildings including the San Diego Library downtown.
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Re: Art Criticism

Unread postby PrairieMule » Sat 16 Feb 2008, 15:41:20

Meanwhile on the other end of the spectrum, may I solicit your opinion of Glock on Velvet?

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Re: Art Criticism

Unread postby mercurygirl » Sat 16 Feb 2008, 16:16:38

Hi P! I believe you could find a couple Mitchells in your local museum, as well. California art history is fascinating.

My uncle and aunt used to sell antiques in El Cajon, for roughly about 50 years. When I was a kid they would drive a van across the country to visit us and load it up with antiques, then drive back. He made a lot of friends and apparently has an extensive art collection. Sadly, I've never seen it.
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Re: Art Criticism

Unread postby PenultimateManStanding » Sat 16 Feb 2008, 16:51:20

$this->bbcode_second_pass_quote('PrairieMule', 'M')eanwhile on the other end of the spectrum, may I solicit your opinion of Glock on Velvet?

Image
heh heh. This is the Art Criticism thread. You're supposed to give us your opinion. I will say that the title, "Glock On Velvet" is priceless.

She wore Glock Velvet
Plastic pistol of the night
Plastic bullets give the right
to shoot the staaaaars

Like a flame burning brightly
Seeing the muzzle glow
Pressing the trigger so tightly
But when it's shot, that's when you know
that

Sheeee
Wore glock velvet
la da da da da da dum
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Re: Art Criticism

Unread postby PrairieMule » Sat 16 Feb 2008, 17:36:01

$this->bbcode_second_pass_quote('PenultimateManStanding', '[') This is the Art Criticism thread. You're supposed to give us your opinion. I will say that the title, "Glock On Velvet" is priceless.



I think the artist is trying to convey that soon every thing, even death, will no longer black or grey. It (the gun) will be repackaged and advertised in electric blue. A clear symbol that in spite of what we think, the Dieoff will be televised. By the masses and for the masses.
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Re: Art Criticism

Unread postby dinopello » Sat 16 Feb 2008, 18:05:52

I learn so much on threads like these.

You know the guy that does the 'post-oil man' video? James Johnson. What do you think of his paintings ?

Link to Paintings

What would you call this style, particularly of the people? Hyper-realism? They really creep me out. The way he does eyes is extra messed up. Some of the paintings are really large. I probably would not want one in my home.
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Re: Art Criticism

Unread postby PenultimateManStanding » Sat 16 Feb 2008, 19:05:52

This is one of Picasso's most famous paintings. It currently hangs in the Museum Of Modern Art in New York City. It is huge. The size of a wall. Picasso painted it when he was a young man, fabulously successful, loaded with dough. He showed it to his artist friends and they thought he was crazy. Andre Derain quipped that Picasso would be found hanging from a noose behind it. It couldn't be sold because there were no buyers. So he wrapped it up and left it in his studio for decades. The rest is history. What does it do for me? I don't know, I've never been to New York. But it is obviously about male anxiety about castrating women. That slice of watermelon is the clue. And all those spilling grapes. Yikes!








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Re: Art Criticism

Unread postby PenultimateManStanding » Sun 17 Feb 2008, 22:51:42

This is my last post to peakoil.com. You guys are losers. heh heh.
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