by Zardoz » Tue 23 Jan 2007, 17:49:31
$this->bbcode_second_pass_quote('Aaron', 'I')n times long past, this planet was the home of a mighty, noble race of beings who called themselves the Krell. Ethically and technologically they were a million years ahead of humankind, for in unlocking the meaning of nature they had conquered even their baser selves, and when in the course of eons they had abolished sickness and insanity, crime and all injustice, they turned, still in high benevolence, upwards towards space. Then, having reached the heights, this all-but-divine race disappeared in a single night, and nothing was preserved above ground.
HA!
So far ahead of its time:
"The 1956 sci-fi thriller Forbidden Planet was the first major motion picture to feature an all-electronic film score -- a soundtrack that predated synthesizers and samplers. It was like nothing the audience had seen -- or heard."
Intelligent and thought-provoking, it's one of the very greatest sci-fi movies ever made. I just saw it again a couple of years ago, and it still holds its own against anything that's been made since.
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As for my favorite, a scene in "Lawrence of Arabia" comes to mind:
Lawrence (Peter O'Toole) is being led across the desert by his Arab guide Tafas, on his way to find Prince Feisal. They stop at a well in what amounts to a dry lake bed: Completely flat and utterly desolate.
As they replenish their water bags in the searing heat, Tafas suddenly freezes and stares at the horizon. The next shot is of a black, shimmering apparition looming into view far off on the horizon, distorted by the intense heat waves rising off the ground. Both men stare intently out as the black shape slowly approaches and its image becomes clearer. It is a rider on a camel, coming on at a fast trot.
They continue to stare at the rider, neither moving a muscle. Lawrence whispers "Turk?" and Tafas replies "No. Bedou."
A few more seconds pass, and Tafas' expression turns fearful. Suddenly, in a panic, he bolts for Lawrence's camel, tears open a saddlebag, and yanks out Lawrence's service revolver. He jumps out into the clear, clasps the gun in both hands, and aims it out at the approaching rider.
He barely has it leveled when a bullet hits him squarely in the forehead and lays him out at Lawrence's feet, dead before he hits the ground. Lawrence stands motionless as the next shot shows the rider (Omar Sharif as Sherif Ali ibn el Kharish) recocking his bolt-action rifle.
Colonel Lawrence, meet Sherif Ali. A beautifully-directed and extremely effective scene. The tension was riveting.