by Revi » Sun 07 Jan 2007, 18:08:02
$this->bbcode_second_pass_quote('mercurygirl', 'I') know it's old news now, but this just-read review is interesting and well done. I still haven't seen the film.
Apocalypto Review
This is the best review by far I have read about the movie. I like what he has to say about Tainter's Collapse of Complex Societies. His review of the movie is right on. Here's what he says about the plot:
The Mayan city in the movie, a historically accurate composite of 26 very real Mayan cities known to have existed in the region of what is now Guatemala, is resplendent eye candy to the student of the culture. And to the observant social chronicler, this Mayan metropolis is also teetering on the edge of chaos. Almost none of this is depicted in the spoken dialogue of the movie, but it is quite apparent in the costumes and acting.
According to archaeologist Dr. Richard Hansen, an adviser to Mel Gibson on the movie and a scientist who has spent a career investigating the Mayan ruins of Central America, the early Mayans focused their civilization on attempting to understand time and the relationship between mortals and the gods. Late classic Mayan civilization took this basic societal mission and from it created an entrenched ruling class, concerned with maintaining its lifestyle and privileges. Over time, the Mayan quest for learning and the resulting civilization that previously evolved began to incorporate ritualistic elements of savagery, in the form of expeditionary warfare to validate the power of what we might today label as "the state." Thus, the basis of Mayan governance shifted to spectacles that could preoccupy, if not downright manipulate, the populace through some combination of awe, humiliation, and fear. (Greg's Note: Reminds me of going through passport control at Miami International Airport.)
The Gods Must Be Angry
Apparently, the construction of the massive religious works (the steep, four-sided pyramids that you usually see in cruise ship ads today) were a Mayan form of what we might label as "big government" bureaucracy. In erecting these edifices, the Mayans wrecked the regional environment. According to Dr. Hansen, the lime alone that was required to construct the massive temples and other public and religious works necessitated that entire forests be cut down and burned in kilns. By the time of the 16th century period depicted in the movie, forests had been denuded, and firewood and other fuel was in short supply. Agriculture was failing due to climatic stresses, rain was not falling as it had in the past, and disease was making its way through the populace. (One great killer may have been smallpox, brought to the New World courtesy of the European visitors. Of course, we are also discussing a time that was several centuries before the development or understanding of germ theory. And the New World had its own gifts for the visitors, such as syphilis.)
Naturally, the Mayan leadership cadre placed the blame for these civilization-spanning problems squarely on the populace, whose lack of compliance and orderliness had apparently led to the disfavor of the deities. According to the priests, who understood such things, the gods must have been angry. The solution, according to the Mayan leadership, was the almost daily offering of human sacrifice to appease the angry gods. And if the angry gods were not appeased, then at least the bulk of the populace was kept in line by the sight of human remains being tossed down the 365 steps (interesting number, huh?) that lined each side of the steep pyramid temples.
So the movie Apocalypto is more than just an action-packed, head-bashing, blood-and-guts chase film. Sure, Zero Wolf and his gang of merry men raid the village where Jaguar Paw dwells. There is a bunch of killing and hacking, and Jaguar Paw and friends get dragged off to the big city, to be used as sacrifice bait. On the trek to the Mayan equivalent of Gotham City (or is it Las Vegas, what with all the tall temples where people pray for good fortune?), Jaguar Paw sees the horrible environmental devastation that concentrated amounts of Mayan civilization has created and, contemplatively, wonders at it all. What a guy, huh? Our hero is about to become another piece of human sushi when things happen that only happen in the movies, and he comes down off the sacrificial altar. Jaguar Paw then escapes to the jungle, to head back to his village and find his wife and young son. There is a big chase scene through the jungle, complete with horrific wild animal attacks, and arrows and spears whizzing past the camera lens. There are guys jumping off of waterfalls into the torrent below, and there are booby traps that could give even the clever and adaptive minds behind the Iraqi insurgency some new ideas.