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Cultural death

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Re: Cultural death

Unread postby Loki » Mon 09 Apr 2012, 20:48:18

$this->bbcode_second_pass_quote('PrestonSturges', 'A')s everything become controlled by a few companies, the spark dies. Newspapers, radio, album sales, publishers, magazines - as each form of media attracts big corporate money, they suck the life out of it and industry profits decline.

This is certainly true of current pop R&B, rock, etc., which is the worst kind of mindless garbage (use of Autotune should be a capital crime as far as I'm concerned). But there is a thriving small music scene that still produces good music by talented musicians. I'd venture to guess it's as vital as it's ever been, despite the best efforts of the big labels.

I think the proliferation of cable channels has also had a positive influence on television. AMC has hit some solid home runs lately.

Radio, on the other hand, is a bleak landscape dominated by Clear Channel. That monopoly needs to be busted.

As for newspapers, never heard of them. What are they?
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Re: Cultural death

Unread postby PrestonSturges » Mon 09 Apr 2012, 21:03:13

$this->bbcode_second_pass_quote('', 'I')'m not old, your music sucks!
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Re: Cultural death

Unread postby Wootan » Wed 11 Apr 2012, 05:02:05

I can't believe so many are coming out of the closet and admitting, even boasting of beeing

...

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Re: Cultural death

Unread postby SeaGypsy » Wed 11 Apr 2012, 05:14:55

That might have something to do with the demographic being centered around 50ish. If you are under 40, you are a spring chicken around here.
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Re: Cultural death

Unread postby Keith_McClary » Fri 27 Jul 2012, 01:47:41

Pop music has become louder, less original
$this->bbcode_second_pass_quote('', '&')quot;We have been able to show how the global loudness level of music recordings has consistently increased over the years," study author Joan Serra of the Spanish National Research Council said in an email exchange.
Similarly, the team found the diversity of chords and melodies has "consistently diminished in the last 50 years".
"This yields a clear recipe for contemporising old songs: using more common chord changes, changing the song's instrumentation, and record it louder," said Serra.
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Re: Cultural death

Unread postby SeaGypsy » Fri 27 Jul 2012, 04:33:22

Many of these Madonna imitators can't sing; they are dependent on technology to correct their voices, just like she and LG are. These people are clever arts business personalities, not real musicians.
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Re: Cultural death

Unread postby ralfy » Fri 27 Jul 2012, 05:37:31

I think Western or Westernized pop music is structurally homogeneous, i.e., three or four chords or so, major scales, three to four minutes in length, 15-or-so bars of music, regular beat, banal lyrics, and a range that does not require extensive training in voice or playing musical instruments. But that doesn't make it out-of-place, as it mirrors much of folk music in many countries, and the reason for the structure is probably neurobiological, i.e., the human mind can quickly follow tunes that are not very complex and that can be learned easily. It is for that reason that pop music is so popular. Thus, it's probably not just 20 years of recorded pop music that's relatively the same but around 80 years of such, from the first time that Frank Sinatra wowed the first teeny boppers to the latest ones enjoying One Direction. Of course, several performers cannot sing very well, and likely because the medium now involves the visual as well.

How not to be bored by such? I suppose one should go backwards, to pop music before all that, including recorded folk music (such as Woody Guthrie, Robert Johnson, and others), and then from there to even earlier music, such as those from nineteenth-century America. From there, move geographically, to Russian folk music, the chamame, performances by the mighty Oum Kaltoum, and others that are found online, in recordings sold by Naxos and UNESCO, etc. After that, consider Western and Eastern classical as well as ancient music, which may provide not just aesthetic pleasure but even enlightenment.

The same goes for television. Barney Miller is also one of my favorites, together with MASH and All in the Family. But there are even more that some have not heard of, such as The Prisoner from 1967, Decalogue, a teleseries of Master and Margarita, and Berlin Alexanderplatz.

And the same for movies; books like Kristin Thompson's Film History are very helpful, together with even textbooks like Kamien's Music: An Appreciation, old Penguin guides to classical and jazz music, and so on.

Finally, several of these works and references might even be available in public libraries or for sale at very low prices. One time, for example, I bought hundreds of brand-new classical music CDs (many of them highly recommended) at a fraction of the price. What happened was that they were being returned to the distributor because no one was buying them. And even during the sales, there were only a handful of us looking at the classical music, jazz, and world music bins while most were fighting over the pop music collections.
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Re: Cultural death

Unread postby SeaGypsy » Fri 27 Jul 2012, 07:20:19

I totally agree. I am living near a place full of migrants from all over the world, the music and language and foods and fashions are amazing, far far more interesting than homogenised western culture.
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Re: Cultural death

Unread postby ralfy » Sat 28 Jul 2012, 06:13:45

For those with reasonable amounts of cash to spare, the fastest way to collect works from different cultures and periods may include the ff.

For music:

Naxos (cheap, well-organized catalog with awards listed, too, and flexible options, including digital copies and on-line listening)

Other labels have more specialized fare, but may be more expensive. Some may have budget lines or promos (two-for-one, box sets at 75 pct off, 40 pct off or so for anniversary sales).

Some organizations offer digital downloads and even the ability to view musical performances online for free or for reasonable rates.

For film:

Kino, and for more expensive titles, Criterion, plus several you may find in bargain bins from mainstream labels. (Some lucky ones may even have access to rental delivery or digital services, etc.)

Books:

Penguin and others have far-reaching collections, and for hardcovers there's Modern Library, Everyman, etc. For the fastest way to collect a large number of works, there's the Great Books of the Western World plus various anthologies from Norton and other publishers. E-books (free and otherwise) may also be available for various works.

Art:

Probably Dover Publications, but Taschen sometimes has 50-pct discounts and anniversary sales.

If you have less cash, check out the bargain bins in various stores, as well as any sales from distributors. The best works can be had for a fraction of the price, and often because most don't want them. There are also used copies sold online but some might be more expensive. There are also garage sales, flea markets, library sales, etc. This is how I get most works.

Still not enough funds? If you can access a fairly equipped public library, foreign cultural center, university library, or similar, then you can borrow many works from different media for free or at very low rates. And there may also be events that you can attend at low prices or for free, such as film exhibitions sponsored by embassies, local drama, music, reading groups, societies, etc.

Finally, if you have just enough funds for maintaining broadband access and one or more devices, then your geographical location might not be a problem as there are many ways to access various works online. There are also online classes, meet-up sites, groups, and others to consider.
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Re: Cultural death

Unread postby Rod_Cloutier » Sat 28 Jul 2012, 11:10:20

No, I think culture is controlled. We are progressively living in more and more of an Orwellian society; where were told what to like, what to think, and what to feel.

My teenage daughter is hooked on the boy band 'One direction'. I can't stand even looking at them. Some people are comparing them to the Beatles with all the millions of screaming girls following them around and so forth. But they don't even play their own instruments!

They just sing and dance to choregraphed songs. (sometimes a live band plays far off in the background). I showed my 14 year old daughter a beatles performance on youtube with the screaming fans, it was totally different. They made their own music, the music and lyrics are far superior anything out there today. And the fans were justified to be thrilled to a performance.

Saying that, the Beatles broke up the year I was born (1970), and I still will listen to them and marvel today. No one will have any memory of 'One direction' in forty years from now!
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Re: Cultural death

Unread postby Sixstrings » Sat 28 Jul 2012, 12:25:46

$this->bbcode_second_pass_quote('SeaGypsy', 'H')ear hear Rory, sign of a bad case of ageing hippy with no connection to living youth culture. I'm pushing 50, in awe of the legends, but can find brilliance in some of what is fresh every year, even in 'mainstream pop' which often starts off with raw talent.


I have to agree with the OP. Music, also movies, Christ I can't even find a good book to read anymore, it's all been downhill since the 1990s.

Your point SG is along the lines of this is a sign that WE are all just getting old. I've actually wondered this in years past.. at which point will no movies in the theater interest me, because that's when you know you're "gettin' old." But honestly, this is different -- the movies really do suck. It's not like it used to be. It's all formulaic super fast-paced shallow action / kids movies, designed for young adults living on ADHD stimulant meds whose brains work differently than ours. (ok now I'm sounding old AND crumudegeonly but go see some theater movies I swear it's true! :lol: )

Here is some proof that it's not just we who are gettin old and not hip to the youth culture..

I use Youtube a lot to search up some old song 60s-80s. I've noticed over and over in the comments, you'll see teenagers and 20's posting about how good the music is, why does music suck so bad now, etc.

Was in the car with my 20 year old nephew, some good tune from the 80s comes on.. and he said "wow music sucks now, they don't make music like they used to."

So the OP is right. It's really strange to hear young people say the same thing, if they're saying then there's something to it.

About the decline of books.. there's a reason for this and maybe it applies to the other arts as well -- EVERYTHING is rushed now. Authors rush the product out, and get less quality editing. Add to that, everything is tuned to the young adult (i.e. dumbed down) market.

Another factor is diffusion. 500 channels and nothing on syndrome. But yes, there is still good stuff out there.. get Netflix, can find good stuff to watch. Broaden your horizons and start watching foreign films. I like French movies, and oddly enough I've been on a string of good Chinese movies. I think I got started along that line with Ang Lee type films then I just began branching out via Netflix.

Lastly, the internet has just flat out replaced our previous leisure activities and that's why they the quality is suffering. There are internet subcultures, but it's all infantile childish humor (9gag, the reddit crowd, etc.).

Things that mean something, actually sitting still and deeply thinking, these are endangered activities in this new ADHD era of one sentence tweets, pidgeon english text messages, and incessant shallow information streams. The more information we're fed, the less it means.
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Re: Cultural death

Unread postby Sixstrings » Sat 28 Jul 2012, 12:46:16

Another thing about music..

What it boils down to is that American music had a cultural golden age, it was an evolution from African American tribal music then slave songs to gospel, then blues then jazz fused with folk and country which gave birth to rock and it's just all run its course and that's how it is.

This is an area where immigration is good. More mixing. That's the only way to get new stuff. :)

I saw something on PBS last night.. some Cuban singer, "Paz" something I was half asleep can't remember his name. His music is a fusion of Cuban and French influences, but to my ears it sounds totally Cuban. I don't even speak any Spanish, but there's something about Cuban music it really touches a place nothing else does.

Times change, maybe we just need to change with them.. maybe we have to look beyond America, and broaden our horizons. Maybe we had our golden age and that's that, the world has been awash in American / anglo culture for long enough and now it's time for new things.
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Re: Cultural death

Unread postby vision-master » Sat 28 Jul 2012, 12:59:18

Get one of those home theater computers and hook it up to yer big screen, shit-can the air waves and cable TV.

Get yerself one of those programs like youtubedownloader and start yer collection...

Here's one master I found out on the net...... ->Jean Michel Jarre: ''Water For Life'' Concert (Desert Merzouga, Morocco) 16/12/2006|HD| :wink:

Right now I'm set up with two computers connected togather with 2.5 T of hard drive space. :-D
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Re: Cultural death

Unread postby SeaGypsy » Sat 28 Jul 2012, 19:28:54

The old farts have their heads up their bums in disgust, writing off the entire generation based on an impression from teeny pop (One Standing Erection/ Unlady Gag et al) which was ALWAYS about belonging to a group (Der/ how dumb are you guys???)

(One Old fart excluded Vis :P )

The Master Controllers don't give a rats what music you are listening to, they prefer you listen to any then follow Wikileaks or notice that new camera array being installed down main street in your town (another der/ head slap).

Unfortunately, most people form narrow neural pathways and lose the ability to form new ones in their teens. That is a scientific fact. So I suggest trying anyway. Drugs can help.
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Re: Cultural death

Unread postby SeaGypsy » Sat 28 Jul 2012, 20:24:09

$this->bbcode_second_pass_quote('Sixstrings', '
')What it boils down to is that American music had a cultural golden age, it was an evolution from African American tribal music then slave songs to gospel, then blues then jazz fused with folk and country which gave birth to rock and it's just all run its course and that's how it is.

You show your ignorance here 6. I thought you were a muso?

To elaborate American musical culture without mentioning Hebrew influence is disingenuous. The piano and string, vocal melody developments integral to the best of American music come from very old European Jewry. This can't be summed up as 'Jazz'; without disservice to this very significant input. Just sayin' :P

http://www.youtube.com/watch?v=l_CqMFKak1c Totally mainstream, 2007, American brilliance.

On the movies aspect; I made myself a vow never to go see another movie which relies on a gun as a character augmentation after seeing The Matrix series. The only exception I have made was Avatar, simply because it was so ground breaking. I find British dramas to be far more intelligently written and directed; more interesting for the under-use of weaponry. The American-" Problem Solving by Pointing and Shooting a Gun" is pathetic (with obvious consequences to vulnerable weak minded folk's actions on the innocent).
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Re: Cultural death

Unread postby Sixstrings » Sat 28 Jul 2012, 22:59:16

$this->bbcode_second_pass_quote('SeaGypsy', 'T')o elaborate American musical culture without mentioning Hebrew influence is disingenuous. The piano and string, vocal melody developments integral to the best of American music come from very old European Jewry. This can't be summed up as 'Jazz'; without disservice to this very significant input. Just sayin' :P


What are we arguing here? What's your point? I'm ignorant for saying jazz came from African Americans? :?:

It's the truth, SG. Black Americans have made monumental cultural contributions. There would be no jazz without them, there would be no blues and there would be no rock.

Haven't you read / heard about Elvis before, how he made "black music" kosher for white teenagers?

Of course, rockabilly and folk / country share the credit too. But without black folks, rock n' roll couldn't and wouldn't have happened.

$this->bbcode_second_pass_quote('', 'T')he American-" Problem Solving by Pointing and Shooting a Gun" is pathetic (with obvious consequences to vulnerable weak minded folk's actions on the innocent).


You're right on that. We're awash in violence. Sex, drugs, violence. I used to really like HBO miniseries, Sopranos, Six Feet Under, but you know what it got old. Gratuitously violent just because they can be.. I tried to get into Boardwalk Empire but gave up. I'm just tired of it. I like breasts, but I don't need to see them in every other shot just because they can.

Our movies are all comic books now. Their lack of depth isn't all our fault -- international audiences like action violence and simplicity in their American films, and the world market is where most of the box office is now.

And no I'm not a musician, Sixstrings was just a random handle I picked. I can play trumpet and therefore other brass, I can read music, but not professional level. I fingerpick on a nylon string classical a bit, I can do arpeggios, chords, but otherwise I'm blocked and just use the thumb on my right hand -- I never got the correct hand position down. I do like guitar though.. soothes the soul.. flemnco is amazing. I'm in awe of those who really can play.
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Re: Cultural death

Unread postby Sixstrings » Sat 28 Jul 2012, 23:24:44

$this->bbcode_second_pass_quote('', 'R')acism, Control, and Rock and Roll

The story of rock and roll has been told in many books, among which are You Say You Want a Revolution by Robert G. Pielke and The Story of Rock by Carl Belz. From the very beginning, it was the music of the young, and was hated and reviled by the old. Why? Not simply because the music itself was distasteful to adults. The animosity against rock and roll went much deeper than that. Rock and roll shook the foundations of values and beliefs held dear by grown-ups in the 1950s.

One of the most important social teachings during that time was that blacks were inferior to whites and, therefore, that it was unacceptable for whites to associate with blacks. The best example of this was found in government schools. With segregation, and the battle against integration, in government schools, American teenagers were taught by their parents and government officials that it was socially detestable for whites to be with blacks.

Along came rock and roll and turned that teaching upside down. While rock and roll had its roots in various strands of American music, i.e., country/western and gospel, its biggest foundation was rhythm and blues or "race music" as it was known in the 1950s. While whites were enjoying the sweet, innocent sounds of the Big Bands, rhythm and blues, with its especially strong sexual overtones, predominated among blacks.

It was natural for white parents to expect their children to pursue their same musical interests. But it was not to be. When Bill Haley's "Rock Around the Clock" was played in the 1955 movie The Blackboard Jungle, a story of student protest in a government school, rock and roll became the music of choice for American teenagers.

While parents were resisting their children's growing love for rock and roll, teenagers were listening to it on the radio late at night (after their parents had gone to bed). Many well-established radio stations refused to play the new music, but teenagers would carefully search the radio band for the few that did. (My favorite was an Oklahoma City station more than 500 miles from my home.)

And along came Sam Phillips, the entrepreneur par excellence, who shook the world by looking for a white man who sang like a black man. One day the invisible hand of the market brought into his studio the man who would become the King of Rock and Roll, Elvis Presley.
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Need we continue to argue this point?

Without black folks, we'd still be listening to Lawrence Welk. We'd have country, we'd have celtic-roots folk, maybe white folks came up with swing I don't know, but we sure wouldn't have rock and roll nor anything that derived from there. Rock came straight out of rhythm and blues music.
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Re: Cultural death

Unread postby SeaGypsy » Sat 28 Jul 2012, 23:40:52

It's ALL of these influences; IMO.
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Re: Cultural death

Unread postby ralfy » Sun 29 Jul 2012, 04:05:21

Try Putomayo and other labels to listen to new music from other parts of the world. And once you feel even more adventurous, go backwards. More labels include Folkways, those connected to the UNESCO Collection, and others listed here:

http://en.wikipedia.org/wiki/World_music

There are also radio shows (online as well), festivals, and more.

Finally, there are many that will come up with impressive combinations of elements from various genres and instruments. Here's a contemporary example:

http://www.youtube.com/watch?v=7jRGcACdKMM
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Re: Cultural death

Unread postby Sixstrings » Sun 29 Jul 2012, 12:19:36

$this->bbcode_second_pass_quote('SeaGypsy', 'I')t's ALL of these influences; IMO.


The overall picture of rock, yes, but I'm talking about the genesis.. listen to the earliest known rock n' roll recordings. It all came out of black gospel and R&B.

This song for example, some cite as the first rock and roll recording:

$this->bbcode_second_pass_quote('', 'S')ister Rosetta Tharpe's "Strange Things Happening Every Day" (1944)
http://www.youtube.com/watch?v=aLFRxfMoOJY


It's a black gospel song. Sounds like gospel but you can hear the rock and roll.. this is your evolutionary missing link.. listen to that piano rolling that's rock and roll.

$this->bbcode_second_pass_quote('', 'T')hen Fats Domino in 1949, some say this is "the first" rock and roll recording:
http://www.youtube.com/watch?v=nZEx0BRj7O8


The very term "rock and roll," it was black slang for dancing / getting busy, and was first used in R&B songs. White folks were way too uptight to have ever relaxed enough to come up with that kind of music. It was taboo.

I'm only arguing about this SG just because I'm amazed, how can anyone get defensive / deny black Americans contribution in this area. I mentioned Cuban music in my earlier post -- same thing there, it wouldn't be what it is without black Cubans. African folks have rhythm. Only other other ethnic group that comes close are Celtic and gypsies, but still, there is nothing like black rhythm and blues and that was the genesis of rock and roll. Elvis just stepped right into their shoes.

Scots hill people / Scots-Irish who settled in the American backwoods of Appalachia and the South, they gave us country music and folk and that later fused with black R&B to become rock and roll (rockabilly), but the genesis of rock and roll, that was all African American, black artists singing in "black clubs" and played on "black radio" stations and when white teens started listening to it, it was a major controversey about whether white folks should even be listening to this with white radio refusing to play it. In the 1950s, it was actually called "race music."

So now that rock and roll is recognized as a golden age cultural achievement (which it is, it's been our popular music for 60 years now), to now deny black Americans credit for what they were at first derided for, well that's just a bit rich no?

Imagine, 50 years from now maybe someone will be saying black folks didn't come up with rap or hip-hop either. :roll:
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