by Angry_Chimp » Tue 01 Apr 2008, 15:58:40
$this->bbcode_second_pass_quote('Ludi', 'O')nce we identify the myths, what do you think we should do next?
What action should we take now, TWilliam?
Yes once the myths start unraveling what should we do indeed...
==AC
Take stock of those around you and you will...hear them talk in precise terms about themselves and their surroundings, which would seem to point to them having ideas on the matter. But start to analyse those ideas and you will find that they hardly reflect in any way the reality to which they appear to refer, and if you go deeper you will discover that there is not even an attempt to adjust the ideas of this reality. Quite the contrary: through these notions the individual is trying to cut off any personal vision of reality, of his own very life. For life is at the start a chaos in which one is lost. The individual suspects this, but he is frightened at finding himself face to face with a curtain of fantasy, where everything is clear. It does not worry him that his "ideas" are not true, he uses them as trenches for the defense of his existence, as scarecrows to frighten away reality.
—JOSE ORTEGA y GASSET
“Full humanness means full fear and trembling, at least some of the waking day. When you get a person to emerge into life, away from his dependencies, his automatic safety in the cloak of someone else's power, WHAT JOY CAN YOU PROMISE HIM WITH THE BURDEN OF HIS ALONENESS? When you get a person to look at the sun as it bakes down on the daily carnage taking place on earth, the ridiculous accidents, the utter fragility of life, the powerlessness of those he thought most powerful—what comfort you can give him from a psychotherapeutic point of view?
…The meaning of his symbolism is that no matter what men pretend, they are only one accidental bite away from utter fallibility. The artist disguises the incongruity that is the pulse-beat of madness but he is aware of it. What would the average man do with a full consciousness of absurdity? He has fashioned his character for the precise purpose of putting it between himself and the facts of life; it is his special tour-de-force that allows him to ignore incongruities, to nourish himself on impossibilities, to thrive on blindness. He accomplishes thereby a peculiarly human victory: the ability to be smug about terror. Sartre has called man a "useless passion" because he is so hopelessly bungled, so deluded about his true condition. He wants to be a god with only the equipment of an animal, and so he thrives on fantasies. As Ortega so well put it in the epigraph we have used for this chapter, man uses his ideas for the defense of his existence, to frighten away reality. This is a serious game, the defense of one's existence—how take it away from people and leave them joyous.
~Ernest Becker