by PenultimateManStanding » Mon 14 Nov 2005, 20:53:10
$this->bbcode_second_pass_quote('EdF', '
')Let me move this to a different context, but one that you are familiar with. Consider the music of Ornette Coleman. He rejected the aesthetic of the late boppers, and with it, a lot of the mainstream aesthetic of jazz. He developed "harmolodics" as a new aesthetic. Can you listen to Body Meta or some of his other work of that period, or its myriads of spinoffs and descendants (eg Mandance by Ronald Shannon Jackson), and not find them beautiful? Yet that music was (and to some still is) grating and a lot of people would call it ugly. Same goes for a lot of other music (eg Tim Buckley's Starsailor) and art.
I think art is about moving people into new perceptual spaces. And that beauty is in the eye of the beholder. And good art is always sublime.
- Ed
Perfect, Ed. That's that quandry I was wondering about. I've been listening to the CDs
Beauty Is A Rare Thing. This was a kind of art that I could never appreciate for years. Then one day it clicked. It snuck up on me and now I can't get enough of it. As for Buckley, I'm still stuck on the
Happy/Sad mode. And as for the Hudson River School painters, it's a kind of art that's easy to love. Perhaps not 'passionate', but lovely nonetheless. Aesthetics is a complicated business:
